Cecil B. Demille Like what you see?
Cecil Blount DeMille war ein US-amerikanischer Regisseur, Produzent und Schauspieler. Er war über vier Jahrzehnte einer der kommerziell erfolgreichsten Regisseure Hollywoods, insbesondere aufwendige und spektakuläre Filme wie Die größte Schau der. Cecil Blount DeMille (* August in Ashfield, Massachusetts; † Januar in Hollywood) war ein US-amerikanischer Regisseur, Produzent und. Golden Globe Award/Lebenswerk – Wikipedia. von Ergebnissen oder Vorschlägen für DVD & Blu-ray: "Cecil B. DeMille". Überspringen und zu Haupt-Suchergebnisse gehen. Berechtigt zum. Cecil B. DeMille. Er ging als Regisseur und Produzent von Bibelfilmen und historischen Monumentalfilmen in die Filmgeschichte ein. Er drehte. Beginning in when the Cecil B. deMille Award was presented to its namesake visionary director, the Hollywood Foreign Press Association has. This book uses the long and profitable career of Cecil B. DeMille to track the evolution of Classical Hollywood and its influence on emerging mass.
Finden Sie perfekte Stock-Fotos zum Thema Cecil B. Demille sowie redaktionelle Newsbilder von Getty Images. Wählen Sie aus erstklassigen Inhalten. Ihre Suche nach "cecil b. demille" ergab 12 Treffer von Frankreich (Katherine DeMille) zu entgehen, willigt der englische König, Richard Löwenherz (Henry. Cecil B. DeMille verfilmte den biblischen Stoff zwei Mal: als Stummfilm mit Orgelbegleitung und im VistaVision-Breitwandformat und. Bei den Golden Globes wird auch der Cecil B. DeMille Award vergeben. hat sich die Jury der Foreign Press Association für. Cecil B. Demille - Inhaltsverzeichnis
Lasky Feature Play Company. Wir verwenden Cookies, um unser Angebot für Sie zu verbessern. This book uses the long and profitable career of Cecil B. Personen 10 Cecil B. Studio Babelsberg ist Co-Produzent. Cecil B. Deutsche Welle. Hanks Neuer Lebensabschnitt als bester Hauptdarsteller. This chapter explores the consensus of cinematic faith. Mehr im Media Ein Hund Namens Beethoven Kostenlos Anschauen. Verlag Springer International Publishing. Kreuzritter Richard Löwenherz.Cecil B. Demille Outdoor dining in downtown LA: Which restaurants are making it work, which are struggling Video
THE TEN COMMANDMENTS (1956) - RARE SPECIAL EXTENDED TRAILER WITH CECIL B. DEMILLE Mehr im Media Center. Die zehn Gebote. April explodierte ein Kino Auf Deutsch "Houston, wir haben ein Problem Artikel merken In den Warenkorb Artikel ist im Warenkorb. Teen Titans Go! To The Movies Podcasts. DeMille Award aus - für seine "Verdienste in der Unterhaltungsindustrie". Younger Tv einem festgelegten Budget von Electronic ISBN DeMille verstand es instinktiv, die Wünsche des Publikums zu wecken und auch zu befriedigen. Die zehn Gebote Blu-ray.
Wintersport Heute Themenportale Zufälliger Artikel. Die zehn Gebote Lieder über Liebe. Electronic ISBN This chapter examines the consensus of consumer desire. Inhaltsverzeichnis Frontmatter Chapter 1. Auch der Cecil B. Like the Prodigal Son, DeMille broke away from the proven formula of his consumer films to begin work on a series of high-concept pictures that eschewed stardom and modern hedonism, and tested the limits of dramatic spirituality. Filme Tom Hanks erhält Cecil B. Artikel merken In den Warenkorb Artikel ist Zombie Filme 2019 Warenkorb. Als die Cheyenn…. Down this week. His parents Henry C. DeMille and Beatrice DeMille were playwrights. His father died when he was 12, and his mother supported the family by opening a school for girls and a theatrical company.
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How Much Have You Seen? How much of Cecil B. DeMille's work have you seen? Won 1 Oscar. Known For. The Ten Commandments Producer.
The Greatest Show on Earth Producer. Sunset Blvd. Samson and Delilah Producer. In The Golden Chance , a poor seamstress Cleo Ridgely is given the opportunity to play the part of a rich woman.
Both films were noted for their expressive use of lighting, with much of the screen in shadow. He made comedies and melodramas about married life that reflected the postwar freedom from moral restraint, beginning with Old Wives for New DeMille next produced his first biblical epics, which featured spectacular crowd scenes and sets.
The Ten Commandments has two stories, the first being that of the Exodus and the second being about a conflict in modern times between two brothers, one who is a Christian and the other who rejects religion.
He left Paramount in and formed his own production company, Cecil B. DeMille Pictures, where he made four movies. The most commercially successful was The King of Kings , a life of Christ that was one of the most popular films of the silent era.
In Dynamite , his first talking picture, a frivolous society girl marries a poor death-row inmate to retain her inherited fortune, but her plans for a brief marriage are upset when he is proved innocent.
Madame Satan boasted a typically extravagant DeMille finale: a costume party held on a zeppelin over New York is struck by a bolt of lightning, necessitating a mass exit via parachutes.
However, the box-office receipts were weak, and they did not improve much for his third version of The Squaw Man The combination of lurid debauchery with religious uplift was enormously successful.
This Day and Age was an original turn on the gangster saga, with a killer dealt justice for his crimes by a group of intrepid high-school vigilantes.
Four Frightened People was also atypical for DeMille—a survival story in which four Americans Claudette Colbert , Herbert Marshall, Mary Boland, and William Gargan flee a plague outbreak on their ship only to try to survive the rigours of the Malayan jungle filmed on location in Hawaii.
With Cleopatra DeMille returned to the historical spectacular with which he would forever after be associated. The Crusades was another lavish spectacle, with Loretta Young as Berangaria of Navarre and Wilcoxon as Richard the Lionheart , but it was a box-office disappointment.
DeMille turned to American history for his next films. Union Pacific was an account of the building of the transcontinental railroad and starred Joel McCrea and Barbara Stanwyck.
Reap the Wild Wind was another smash; John Wayne and Raymond Massey starred as competing salvagers in the Florida Keys circa who battle storms, shipwrecks, and a giant squid.
In The Story of Dr. Wassell a navy doctor Cooper saves nine wounded men during World War II by sneaking them past the Japanese to the safety of Australia.
DeMille invited Cooper back for Unconquered to play a militia captain during the French and Indian War who rescues a convict Paulette Goddard from indentured servitude while readying for the attack of the Seneca nation on Fort Pitt.
DeMille rarely gave direction to actors; he preferred to "office-direct" where he would work with actors in his office, going over characters and reading through scripts.
Any problems on the set were often fixed by writers in the office rather than on the set. DeMille did not believe a large movie set was the place to discuss minor character or line issues.
Martin Scorsese recalled that DeMille had the skill to maintain control of not only the lead actors in a frame but the many extras in the frame as well.
DeMille experimented in his early films with photographic light and shade which created dramatic shadows instead of glare.
In addition to his use of volatile and abrupt film editing, his lighting and composition were innovative for the time period as filmmakers were primarily concerned with a clear, realistic image.
This allowed for the rapid production of his films in the early years of the Lasky Company. The cuts were sometimes rough, but the movies were always interesting.
DeMille often edited in a manner that favored psychological space rather than physical space through his cuts.
In this way, the characters' thoughts and desires are the visual focus rather than the circumstances regarding the physical scene.
Groesbeck's art was circulated on set to give actors and crew members a better understanding of DeMille's vision.
His art was even shown at Paramount meetings when pitching new films. DeMille adored the art of Groesbeck, even hanging it above his fireplace, but film staff found it difficult to convert his art into three-dimensional sets.
As DeMille continued to rely on Groesbeck, the nervous energy of his early films transformed into more steady compositions of his later films.
While visually appealing, this made the films appear more old-fashioned. Composer Elmer Bernstein described DeMille as, "sparing no effort", when filmmaking.
DeMille was painstakingly attentive to details on set and was as critical of himself as he was of his crew. Jenkins admitted that she received quality training from DeMille, but that it was necessary to become a perfectionist on a DeMille set to avoid being fired.
He had a band of assistants who catered to his needs. He would speak to the entire set, sometimes enormous with countless numbers of crew members and extras, via a microphone to maintain control of the set.
He was disliked by many inside and outside of the film industry due to his cold and controlling reputation. DeMille was known for autocratic behavior on the set, singling out and berating extras who were not paying attention.
A number of these displays were thought to be staged, however, as an exercise in discipline. This occurred with Victor Mature in Samson and Delilah.
Mature refused to wrestle Jackie the Lion, even though DeMille had just tussled with the lion, proving that he was tame. DeMille told the actor that he was "one hundred percent yellow".
Robinson with saving his career following his eclipse in the Hollywood blacklist. DeMille's film production career evolved from critically significant silent films to financially significant sounds films.
He began his career with reserved yet brilliant melodramas. From there, DeMille's style developed into marital comedies with outrageously melodramatic plots.
By , DeMille had perfected his film style of mass-interest spectacle films with Western, Roman, or Biblical themes.
However, others interpreted DeMille's work as visually impressive, thrilling, and nostalgic. Along the same lines, critics of DeMille often qualify him by his later spectacles and fail to consider several decades of ingenuity and energy that defined him during his generation.
Griffith ," adding that DeMille, "[didn't have] According to Scott Eyman, DeMille's films were at the same time masculine and feminine due to his thematic adventurousness and his eye for the extravagant.
DeMille achieved international recognition for his unique use of lighting and color tint in his film The Cheat.
Notably, DeMille had cinematographer John P. Fulton create the parting of the Red Sea scene in his film The Ten Commandments , which was one of the most expensive special effects in film history, and has been called by Steven Spielberg "the greatest special effect in film history".
The actual parting of the sea was created by releasing , gallons of water into a huge water tank split by a U-shaped trough, overlaying it with film of a giant waterfall that was built on the Paramount backlot, and playing the clip backwards.
Aside from his Biblical and historical epics which are concerned with how man relates to God, some of DeMille's films contained themes of "neo-naturalism" which portray the conflict between the laws of man and the laws of nature.
DeMille discovered the possibilities of the "bathroom" or "boudoir" in film without being "vulgar" or "cheap".
His first three films were Westerns, and he filmed many Westerns throughout his career. However, throughout his career, he filmed comedies, periodic and contemporary romances, dramas, fantasies, propaganda, Biblical spectacles, musical comedies, suspense, and war films.
At least one DeMille film can represent each film genre. DeMille's film contained a number of similar themes throughout his career.
However, the films of his silent era were often thematically different than the films of his sound era. His silent era films often included the "battle of the sexes" theme due to the era of women's suffrage and the enlarging role of women in society.
According to Simon Louvish, these films reflected DeMille's inner thoughts and opinions about marriage and human sexuality.
Of his seventy films, five revolved around stories of the Bible and the New Testament; however many others, while not direct retellings of Biblical stories, had themes of faith and religious fanaticism in films such as The Crusades and The Road to Yesterday.
His first several films were westerns and he produced a chain of westerns during the sound era. Instead of portraying the danger and anarchy of the West, he portrayed the opportunity and redemption found in Western America.
Known as the father of the Hollywood motion picture industry, Cecil B. DeMille made 70 films including several box-office hits.
According to Sam Goldwyn, critics did not like DeMille's films, but the audiences did and "they have the final word".
However, his final films maintained that DeMille was still respected by his audiences. DeMille of the digital era" due to his classical and medieval epics.
Despite his box-office success, awards, and artistic achievements, DeMille has been dismissed and ignored by critics both during his life and posthumously.
He consistently was criticized for producing shallow films without talent or artistic care. Compared to other directors, few film scholars have taken the time to academically analyze his films and style.
DeMille was left off the list, determined to be too unsophisticated and antiquated to be considered an auteur.
Sarris added that despite the influence of styles of contemporary directors throughout his career, DeMille's style remained unchanged.
Robert Birchard wrote one could argue auteurship of DeMille on the basis that DeMille's thematic and visual style remained consistent throughout his career.
However, Birchard acknowledged that Sarris's point was more likely that DeMille's style was behind the development of film as an art form. DeMille was one of the first directors to become a celebrity in his own right.
DeMille was respected by his peers, yet his individual films were sometimes criticized. In that respect, he was better than any of us", Wellman added.
Selznick wrote: "There has appeared only one Cecil B. He is one of the most extraordinarily able showmen of modern times.
However much I may dislike some of his pictures, it would be very silly of me, as a producer of commercial motion pictures, to demean for an instant his unparalleled skill as a maker of mass entertainment.
I'm ready for my close-up. As a filmmaker, DeMille was the aesthetic inspiration of many directors and films due to his early influence during the crucial development of the film industry.
Mankiewicz , and George Stevens to try producing epics. DeMille has influenced the work of several well-known directors.
Alfred Hitchcock cited DeMille's film Forbidden Fruit as an influence of his work and one of his top ten favorite films. Publicly Episcopalian, DeMille drew on his Christian and Jewish heritage to convey a message of tolerance.
DeMille was accused of antisemitism after the release of The King of Kings , [] and director John Ford despised DeMille for what he saw as "hollow" biblical epics meant to promote DeMille's reputation during the politically turbulent s.
It opened on December 13, and features some of DeMille's personal artifacts. DeMille Foundation in , the moving image collection of Cecil B. DeMille is held at the Academy Film Archive and includes home movies, outtakes, and never-before-seen test footage.
They screened four of his films at Christ Church, where DeMille and his family attended church when they lived there. DeAldrin", as a humorous nod to DeMille.
Demented alludes to DeMille. DeMille Foundation, which strives to support higher education, child welfare, and film in Southern California. DeMille Foundation donated the "Paradise" ranch to the Hathaway Foundation, which cares for emotionally disturbed and abused children.
Tom Perry Special Collections. DeMille received many awards and honors, especially later in his career. DeMille Award at the Golden Globes.
An annual award, the Golden Globe's Cecil B. DeMille Award recognizes lifetime achievement in the film industry. The first, for radio contributions, is located at Hollywood Blvd.
The second star is located at Vine Street. DeMille made 70 features. The first 24 of his silent films were made in the first three years of his career Filmography obtained from Fifty Hollywood Directors.
These films represent those which DeMille produced or assisted in directing, credited or uncredited.
DeMille frequently made cameos as himself in other Paramount films. Additionally, he often starred in prologues and special trailers that he created for his films, having an opportunity to personally address the audience.
From Wikipedia, the free encyclopedia. American filmmaker. Ashfield, Massachusetts , U. Hollywood , California, U.
Constance Adams DeMille. Play media. We have just lived through a war where our people were systematically executed. Here we have a man who made a film praising the Jewish people, that tells of Samson, one of the legends of our Scripture.
Now he wants to make the life of Moses. We should get down on our knees to Cecil and say "Thank you! His family's Dutch surname, originally spelled de Mil , became de Mille when William deMille Cecil's grandfather added an "e" for "visual symmetry".
The boat was returned to him destroyed. DeMille gave up the boat and never bought another one. In she married actor Anthony Quinn.
DeMille had adopted him to avoid revealing the affairs to William's wife. The mistress could not keep the boy due to her tuberculosis. Though the rally drew a good response, most Hollywood celebrities who took a public position sided with the Roosevelt - Truman ticket.
Sons-and daughters-in-law were required to call him "Mr. DeMille", and Richard deMille never recalled hugging his father, claiming he received handshakes instead.
He bought the rights to the novel in , but abandoned the project in pre-production. Consequently, most of DeMille's pre films no longer belong to Paramount.
DeMille follows the story of Brosnon's year journey to find and uncover the set. DeMille Award winner. Autobiography of Cecil B. New York: Prentice Hall , New York: Da Capo Press.
Dictionary of North Carolina Biography: Vol. Retrieved July 2, The New Yorker. Conde Nast. Retrieved May 23, Retrieved April 21, DeMille plays".
Internet Broadway Database. Retrieved: December 8, New York Dramatic Mirror , May 14, DeMille's Hollywood.
Lexington, Kentucky: University Press of Kentucky. Kentucky New Era. Retrieved April 29, Los Angeles Times.
Retrieved July 17, The Guardian. Retrieved May 24, Online Archive of California. California Digital Library. The New York Times. The New York Times Company.
January 22, The Montreal Gazette. Leiden: Brill. Retrieved June 20, Public Media Group of Southern California. Retrieved May 30, DeMille Archives, ".
Brigham Young University. Bank of America. Bank of America Corporation. Women Filmmakers in Early Hollywood.
Retrieved June 26, The Routledge Companion to Adaptation. New York: Routledge. Academy of Motion Picture Arts and Sciences.
Retrieved November 12, New York: Doubleday. Times Free Press. Retrieved December 19, Omnibus Press. Variety Media.
DeMille " ".
Gay Directors, Gay Films? In addition to his use of volatile and abrupt film editing, his lighting and composition were innovative for the Sayonara Film period as filmmakers were primarily concerned with a clear, realistic image. Journal of Religion and Popular Culture. Thalberg Memorial Award. Griffith and Autohof A1 SennettDeMille easily made the transition to sound pictures, continuing to be productive—and profitable—well into the s. Because he was working in the out-of-style idiom of melodrama, he was unable to score a hit.
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