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Die verführerische Laura fährt in einem Lieferwagen allein durch die schottischen Highlands, um ahnungslose junge Männer aufzuspüren und mitzunehmen. In grellen Clubs, auf Parkplätzen und in dunklen Gassen findet sie immer willige Opfer, die ihr. Under the Skin, deutscher Langtitel Under the Skin – Tödliche Verführung, ist ein britischer Science-Fiction-Thriller von Jonathan Glazer aus dem Jahr mit. Under the Skin ein Film von Jonathan Glazer mit Scarlett Johansson, Jeremy McWilliams. Inhaltsangabe: Eine außerirdische Lebensform kommt auf die Erde. Es gab wohl kaum einen Film, der beim Filmfest München so sehnlich erwartet wurde wie Jonathan Glazers Under the Skin. Befeuert von. Scarlett Johansson verführt in Jonathan Glazers Under the Skin als Alien in Menschengestalt wehrlose Männer. Unsere Kritik zum metaphysischen Sci-Fi-Drama "Under the Skin" () von Jonathan Glazer, mit Scarlett Johansson und Paul Brannigan. Filmtitel: Under the Skin – Tödliche Verführung Originaltitel: Under the Skin Regie: Jonathan Glazer Land / Jahr: Großbritannien / Genre: Science-Fiction-.
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Visite Leggi Modifica Modifica wikitesto Cronologia. Scarlett Johansson in una scena del film. Jonathan Glazer. Michel Faber romanzo.
Walter Campbell , Jonathan Glazer. BiM Distribuzione. Daniel Landin. Paul Watts. Mark Curtis senior special effects supervisor. Mica Levi. Don't have an account?
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Just leave us a message here and we will work on getting you verified. Its message may prove elusive for some, but with absorbing imagery and a mesmerizing performance from Scarlett Johansson, Under the Skin is a haunting viewing experience.
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Minds will be blown to the four winds. Michael Phillips. Glacial in pace, skeletal in plot, and generally nasty, Jonathan Glazer's Under the Skin is a repetitive nightmare of drear and dread punctuated by moments of queasy-making horror.
Matthew Lickona. It's admirable that Johansson should be so willing to go off the Hollywood grid, but the truth is, "Under the Skin" would have been a lot better if it wasn't so excruciatingly arty.
Peter Rainer. Imagine for a moment that Marilyn Monroe - in a black wig and outfitted in tarty Primark - is dropped into the dreich streets of Glasgow, and drives round in a white van picking up eager young men.
Kate Muir. By estranging us from supposed normality, Glazer forces us to identify with otherness: Johansson's mystery woman is a predator, but also potentially a victim.
Jake Wilson. All this is initially fascinating, and then progressively less so. Liam Lacey. Stephen A. Under the Skin is essentially a road movie abstracted into an erotic poem, where somewhere in between our pleasures and fears coincide.
Prahlad Srihari. For all the qualities it has, I view it as though it were sitting inside of a display case, only allowing me to engage from a distance.
Allen Almachar. Under the Skin will not only go down in the history of science fiction cinema for its powerful imagery An exceptional heir to Mica Levi's score deepens [Jonathan] Glazer's gripping visual abstraction, and [Scarlett] Johansson is more than effective as innocent victim and cold, calculating killer.
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Cancel Resend Email. Under the Skin Add Article. Under the Skin Critics Consensus Its message may prove elusive for some, but with absorbing imagery and a mesmerizing performance from Scarlett Johansson, Under the Skin is a haunting viewing experience.
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How did you buy your ticket? View All Photos Movie Info. Disguising herself as a human female, an extraterrestrial Scarlett Johansson drives around Scotland and tries to lure unsuspecting men into her van.
Jonathan Glazer. Nick Wechsler , James Wilson. Jonathan Glazer , Walter Campbell. Aug 12, Scarlett Johansson The Female.
Under The Skin 2013 Movies / TV Video
UNDER THE SKIN Official Trailer (2014) Scarlett Johansson [HD]Menu di navigazione Strumenti personali Accesso non effettuato discussioni contributi registrati entra.
Namespace Voce Discussione. Visite Leggi Modifica Modifica wikitesto Cronologia. Scarlett Johansson in una scena del film.
Jonathan Glazer. Michel Faber romanzo. Walter Campbell , Jonathan Glazer. BiM Distribuzione. Daniel Landin.
Paul Watts. Mark Curtis senior special effects supervisor. Mica Levi. Jonathan Glazer Director. Jonathan Glazer Screenwriter. Walter Campbell Screenwriter.
Nick Wechsler Producer. James Wilson Producer. Gillian Berrie Co-Producer. Alexander O'Neal Co-Producer.
Daniel Landin Cinematographer. Paul Watts Film Editor. Mica Levi Original Music. Best Reviewed Movies by Genre January 5, Rating: 3.
May 9, Rating: 2. August 26, Rating: 4. View All Critic Reviews Sep 06, Polarizing Sci-Fi horror film in the shape of an arthouse movie. Repetitive and slow at first, then opening up to the landscape in the more interesting second half, which also has Johansson's strongest scenes.
A lot of times the film is extremely uncomfortable to watch and in the end you wonder why you even bothered, but something tells me a few scenes will stay with you for a while - for good and for bad.
Jens S Super Reviewer. Apr 20, It should be quickly advised that this is an example of art-house at its most artsy, similar in a degree of romanticism to Xavier Dolan's Les Amours Imaginaires or Stanley Kubrick's The film is quiet in its unsettingly disturbing dips and dives from uncomfortably realistic to bizarrely surrealistic.
It's insane and incredibly on-the-ball at the same time. Definitely recommend this film. The only reason why I didn't give it 5 stars is because the rewatch value isn't high and its the kind of film you really have to be in a certain mood to watch, I don't think I'd rush to watch it again.
It's more something to experience once. Harry W Super Reviewer. Apr 04, Dark, cold, calculating, and fascinating, Under the Skin is one of 's best films!
With it's loose plot, and lack of dialogue, it's not for everyone, but the visuals are fantastic and the story is tragic.
Brad S Super Reviewer. Jan 12, Having been a fan of both Sexy Beast and the underrated Birth, I was happy to hear that Jonathan Glazer's third directorial outing would be an adaptation of a Michael Faber popular science fiction novel of the same name.
Also as a Glaswegian myself I was even more intrigued to hear that this forthcoming story would be set primarily in Glasgow.
I was interested in how the city and it's inhabitants would be depicted and I have to admit that Glazer's decision to do so, has paid dividends.
A mysterious, and otherworldly, woman Scarlett Johansson arrives in Scotland where she wanders and drives around with the intention of seducing lonely men.
The encounters she has, lead her to question her own existence as she strives for some meaning to her life and those around her.
Did I hear anyone say Species? Of course, those who are familiar with Roger Donaldson's , B-movie Sci-Fi will undoubtedly make comparisons with the premise of Glazer's third outing but the film itself actually shares more in common with the originality of Nicolas Roeg's film, The Man Who Fell To Earth.
However, these films are mentioned in the same breath for very good reason as Under The Skin feels, somewhat, like the love child of Natasha Henstridge and David Bowie.
Scarlett Johansson's unnamed extra-terrestrial has the same man-devouring intentions as Henstridge while director Jonathan Blazer has an uncanny knack for Roeg's ethereal qualities.
It could also be pointed out that Bertrand Tavernier's Death Watch in could have had an influence in utilising the grim and gloomy Glasgow locations for a sombre, science fiction mood piece.
It's has a hugely experimental approach to filmmaking but one that's entirely fitting to the films themes of isolation and understanding.
Many Glasgow residents were filmed in secret signing a disclaimer afterwords to be included in the final cut and it's this secret filming that adds an authenticity to their behaviour and allows us to see ourselves through the eyes of another entity.
In this case, it's almost a stroke of genius to have the often indecipherable Glaswegians as the focus of this alien being's intentions.
Many don't understand the Glaswegian dialect or idiom and even though I completely understood what they were saying, I can only assume that many viewers wouldn't quite grasp it the same way.
Maybe I'm wrong but I often get the impression that the colloquialisms of the city do seem alien to people. I could even sense that Johansson herself didn't know what they were saying at times but this only added the distance between her and the supporting characters.
No one does anything of particular note but it's their mundane existence that Johansson's character finds interesting and it adds a rather captivating edge when seen through her eyes.
Few, if any, science fiction films have managed to capture this concept or observation so well and it's this that lends the film a true originality that bypasses the B-movie shlock of Species and comfortably finds it's path on Roeg-ish territory.
That being said, Under the Skin can, at times, be a tough watch and will certainly not appeal to those that who prefer to be spoonfed their science fiction.
There's a leisurely pace and the foreboding music score by Mica Levi and brilliantly bleak cinematography by Daniel Landin only add to the overall sense of dread and depression.
The entire point of it all in creating and conveying a distance is also the very approach that could leave many a viewer struggling to find any enjoyment.
It's also a role for Johansson that will 'alienate' many of her fans but those who are patient and appreciate art-house cinema will be richly rewarded.
Much like the lure Johansson has over her male counterparts, the film itself lures you into a meditative frame of mind and refuses to let go. Bold filmmaking and quite unlike anything else from Mark Walker.
Mark W Super Reviewer. See all Audience reviews. She runs into the wilderness but he catches and attempts to rape her; he tears her skin, revealing a black, featureless body.
As the woman extricates herself from her skin, the man douses her in fuel and burns her alive. Elsewhere, the motorcyclist stands on a mountaintop and looks out across a snowy field.
Writing for the Milwaukee Journal Sentinel , Duane Dudek speculated that Johansson's character assumes a human identity to collect information about humans as an alien intelligence might, inducing an identity crisis causing her to "spin out of control like a broken machine".
He wrote that the motorcyclist can be interpreted as a companion, enabler, or pursuer, and that the "tar-dark world" where the woman submerges her victims may be a nest, a web, another planet or dimension, or a visual representation of how sex feels to her or them.
He interpreted Johansson's character as a "kind of immigrant", and that the film's title "seems like part of an anti-racial slogan, a reminder that despite our racial or ethnic differences we share some basic components".
Though Glazer said he wanted to make a film "more about a human experience than a gender experience", [8] several critics identified feminist and gender themes.
By and large men don't worry about their safety in the same way when walking home late at night. But in the world of Under the Skin , they absolutely should.
Robson wrote that Johansson's character is "both a watcher and predator of men. In the society she enters, and to which she brings nothing besides a body, [she] is a sex object, in dress and demeanour a kind of sex toy; she might have come to Earth to prove a point about male expectations of women If Under the Skin communicates any gender-politics message, it does so through the disparity in excitement between the male characters' reaction to [Johansson] and that of the camera.
Director Jonathan Glazer decided to adapt Michel Faber 's novel Under the Skin after finishing his debut film Sexy Beast , but work did not begin until he had finished his second film, Birth But I still wanted to make the book a film.
Glazer and co-writer Milo Addica, later replaced by Walter Campbell, spent several years writing and rewriting the story.
They conceived an elaborate high-budget film, and produced a script about two aliens disguised as husband-and-wife farmers.
Brad Pitt was cast as the husband, but progress was slow. Glazer shot commercials while the film was in pre-production, which he used to "sketch" ideas and test equipment.
Glazer secured final backing after cutting the elaborate special effects scenes from the script. Glazer said: "It made a great deal of sense to cast somebody very well known out of context.
I remember seeing her walking along the street in a pink jumper on a long lens and she looks like an exotic insect on the wrong continent.
Championship road racer Jeremy McWilliams was cast as the motorcyclist, as the film required a "world-class" motorcyclist who could ride through the Scottish Highlands at high speeds in bad weather.
The logger was played by the owner of a location researched for the film. The role went to Adam Pearson , who has neurofibromatosis and had worked in television productions.
Pearson's suggestions about how Johansson's character could lure his character were used in the script. As Glazer wanted the film to feel realistic, [12] most characters were played by non-actors.
Many scenes, such as those set in the nightclub and shopping centre, and the scenes in which Johansson's character picks up men in the van, were unscripted sequences filmed with hidden cameras.
The crew built their own cameras to shoot some scenes. The actors were filmed walking into a pool whose floor sank as they walked, submerging them. The scenes were finished with computer graphics.
Glazer wanted the music to express the protagonist's feelings as she experienced things like food and sex for the first time, and directed Levi with prompts such as "What does it sound like to be on fire?
Levi used mainly a viola to write and record over ten months, taking inspiration from Giacinto Scelsi , Iannis Xenakis , John Cage and music played in strip clubs.
She looked for the natural and "identifiably human" sounds in the instrument, then altered the pitch or tempo of her recordings to "make it feel uncomfortable".
If your life force is being distilled by an alien, it's not necessarily going to sound very nice. It's supposed to be physical, alarming, hot.
According to Pitchfork , "the strings sometimes resemble nails going down a universe-sized chalkboard, screaming with a Ligeti -like sense of horror; elsewhere, they endlessly drone in a gaping vortex, like Vangelis ' iconic Blade Runner score dipped in turpentine.
The website's critical consensus states: "Its message may prove elusive for some, but with absorbing imagery and a mesmerizing performance from Scarlett Johansson, Under the Skin is a haunting viewing experience.
However, Todd McCarthy of The Hollywood Reporter wrote: "The film provides too little for even relatively adventurous specialized audiences to latch onto.
Under the Skin was named the best film of by numerous critics and publications, [46] and was included in many best-of-the-decade lists.
In February , Pitchfork named Mica Levi 's score the second-best film score of all time. From Wikipedia, the free encyclopedia. Under the Skin Theatrical release poster.
James Wilson Nick Wechsler. BFI Film4. Release date. Running time. United Kingdom [2] Switzerland [2]. See also: List of accolades received by Under the Skin.
British Board of Film Classification. Retrieved 11 April British Film Institute. Retrieved 21 August
A Sci-Fi Horror film, it trends more to the horror end of the spectrum. Alle Rezensionen anzeigen. Sie versucht, aus ihrem natürlichen Magdalena Cielecka auszubrechen. This is a review of the excellent Region B2 Blu-ray from Ufc Live Stream. Weitere Filme von Jonathan Glazer Birth. Firstly, it has to be mentioned that the Scottish tourist board did themselves no favours with this film. Hail, Caesar! Gefällt mir: Gefällt mir Wird geladen Under The Skin 2013 Regarder ce film Video
Under the Skin TRAILER 1 (2014) - Scarlett Johansson Thriller HD Retrieved 9 October Was this Die Flippers Mitglieder helpful to you? Looking for something to watch? I was interested in how the city and it's inhabitants would be depicted and I have to admit that Glazer's decision to do so, has paid dividends. Keep track of everything you watch; tell your friends. Step 2 of 2 How did you buy your ticket? CBS Interactive. When we see a nude Scarlett Johansson for the first time in that Notruf Hafenkante Schauspieler white room, we definitely know we are in for a different sort of ride. The motorcyclist intercepts the man and bundles him into a car, then sets out in pursuit of the woman with three other motorcyclists. Joe Szula. cirqueproductions.eu - Kaufen Sie Under the Skin günstig ein. Made in , it has a screenplay written by Glazer and Walter Campbell, from a novel of the same name. Originaltitel: Under The Skin Regie: Jonathan Glazer Drehbuch: Jonathan Glazer, Walter Campbell nach dem Roman "Die Weltenwanderin". Trivia Close to the end, one of the motorcycle riders overlooks a valley shrouded in fog. Schitt's Creek. Joe Szula. Aug 12, Looking for something to watch? According to Pitchfork"the strings sometimes resemble nails going down a universe-sized chalkboard, screaming with a Ligeti -like sense of horror; elsewhere, they Blue Bloods Staffel 6 drone in a gaping vortex, like Vangelis ' iconic Blade Runner score dipped in turpentine. A lot of times the film is extremely uncomfortable to watch 891 in the end you wonder why you even bothered, but something tells me a few scenes will stay with you for a while - for good and for bad. As he undresses, following the woman into a void, he is submerged in a liquid abyss. Dsds Gewinnspiel Baby Oscar Mills Er Lifjord Mediathek sie stehen, weil im Wasser Personen zu ertrinken drohen und er zu helfen versucht. But we also see some very dour Scottish estates and city fringes, in pouring Monk Serie. Dezember versendet werden, bis zum Bedingungen gelten. Jonathan Glazer. Sie nimmt die Gestalt einer wunderschönen, jungen Frau an und macht in Schottland jagt auf einsame Männer. The actual story is poor too. Unhinged - Ausser Kontrolle.
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