
X Men The Last Stand Lieber CineStar-Gast,
Die verstorbene Kollegin der X-Men wird als Dark Phoenix wieder geboren und ist nicht nur eine Gefahr für sich selbst, sondern auch für die anderen Mutanten und die menschliche Rasse. Als eine mögliche Heilung gefunden wird, müssen sich die X-Men. X-Men: Der letzte Widerstand (Originaltitel: X-Men: The Last Stand, auch bekannt als X-Men 3) ist eine US-amerikanische Comicverfilmung aus dem Jahr X-Men ist ein Film-Franchise, das auf der von Stan Lee und Jack Kirby erschaffenen 3, X-Men: Der letzte Widerstand, X-Men: The Last Stand, Brett Ratner, 4, X-Men Origins: Wolverine, X-Men Origins: Wolverine, Gavin Hood, X-Men: Der letzte Widerstand (OT.: X-Men: The Last Stand) ist der dritte Teil der X-Men Reihe und. Official theatrical movie poster (#18 of 19) for X-Men: The Last Stand (aka X-Men 3) (). Directed by Brett Ratner. Starring Hugh Jackman, Halle Berry, Ian. X Men: The Last Stand Superhelden Filme, Lederhandschuhe, Lack Und Leder, Tolle. cirqueproductions.eu - Kaufen Sie X-Men 3: The Last Stand günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu.

X Men The Last Stand - Inhaltsverzeichnis
In: Screen Rant. Nur noch 1 auf Lager. Kayla wird hingegen von Stryker erschossen, der wenig später von der Militärpolizei verhaftet wird. Normal Expected delivery inside Germany business days.November's Top Streaming Picks. Top 30 Highest Grossing Superhero Movies. Professor X vs. Professor X. Favorite Movies of Favorite Endings of All Time.
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Edit Cast Cast overview, first billed only: Hugh Jackman Edit Storyline When a "cure" is created, which apparently can turn any mutant into a "normal" human being, there is outrage amongst the mutant community.
Edit Did You Know? Goofs at around 1h 40 mins In the closing credits, the credit for Paint Foreman is misspelled as Paint Forman.
Couldn't you just make them say yes? Charles Xavier : Yes, I could, but it's not my way. And I would expect you, of all people would understand my feelings about the misuse of power.
Eric Lensherr : Ah, "power corrupts" and all that. Yes, I know, Charles. When are you going to stop lecturing me?
Charles Xavier : When you start listening. And you're here because I need you. Alternate Versions The original DVD release of the film had two different sets of navigation menus, one themed around the Brotherhood, and one themed around the X-Men.
The content selectable is the same regardless, but this aesthetic was not reused on the Blu-ray release. Was this review helpful to you?
Yes No Report this. Frequently Asked Questions Q: Is there a scene after the end credits? Famke Janssen Jean Grey, Phoenix.
Anna Paquin Marie, Rogue. Rebecca Romijn Raven Darkholme, Mystique. Kelsey Grammer Dr. Henry 'Hank' McCoy, Beast. Shawn Ashmore Bobby Drake, Iceman.
Ellen Page Kitty Pryde, Shadowcat. Brett Ratner Director. Zak Penn Writer. Simon Kinberg Writer. Avi Arad Producer. Lauren Shuler Donner Producer. Ralph Winter Producer.
Avi Arad Executive Producer. Kevin Feige Executive Producer. Stan Lee Executive Producer. Philippe Rousselot Cinematographer. The 20 Best Superhero Movie Villains.
July 7, Full Review…. June 22, Full Review…. June 7, Full Review…. May 27, Full Review…. June 28, Full Review…. June 5, Rating: 2.
June 3, Rating: 2. November 2, Full Review…. View All Critic Reviews Aug 22, In my review of Return of the Jedi, I spoke about the baggage that comes with threequels and their tendency to be the runts of their respective litters.
That being said, the same person being in charge is not in itself a guarantee of quality, as Spider-Man 3 and Evil Dead 3 firmly demonstrate.
X-Men: The Last Stand has accrued a similar reputation in comic book circles in the 11 years since its release. Whenever this offering is mentioned, fans of the first two films tend to either start foaming at the mouth, disgusted by some deep betrayal, or sigh dejectedly and make some resigned comment about Hollywood.
One could be forgiven, as a casual fan of X-Men, for assuming that this is the s' equivalent of Batman and Robin.
Rest assured, it's isn't - but it is very much the Batman Forever of the series, representing a huge climbdown from the heft and skill of old.
A lot has been made about Bryan Singer's sudden departure from the series, with debate raging over how much of the resulting disappointment is his fault.
Singer left the project in July to helm Superman Returns, at a time when only a partial treatment of the story existed. Singer had intended to focus the third film around Jean Grey's arc leading on from X2, culminating in Jean committing suicide but her spirit surviving as something akin to the Star Child from A Space Odyssey.
Over the ensurng six months, the project was offered to numerous directors who turned it down, including Joss Whedon who was busy on his Wonder Woman project and Alex Proyas, who refused on account of the bad experience he had endured on I, Robot.
Matthew Vaughn, who had then just finished Layer Cake, signed on to direct in February , but even with the release date being pushed back Vaughn felt he did not have the time he needed to make the film he wanted.
Having had some say in the casting - including Kelsey Grammer and Vinnie Jones - he backed out before filming was set to begin in July, paving the way for Brett Ratner to come in.
Whether or not you think that Singer was right to jump ship Superman Returns being the indecisive stodge that it is , much of his influence remains in at least the first hour of this film, just as Tim Burton held some sway over Batman Forever.
His fingerprints are all over the Jean Grey storyline, fleshing out the character and turning her into something truly dangerous.
Her arc is very reminsicent of Amy Irving's character in The Fury itself heavily X-Men-inflected , being as she is a young woman struggling to channel and contain enormously destructive powers that to a large extent she doesn't want.
There's even a sequence where Jean disintegrates people with her power - although it's not as bloody as The Fury's rated version.
If all the good parts of X-Men: The Last Stand lie in whatever Singer managed to contribute before departing, all of the blame for the bad aspects can be laid firmly at Ratner's feet.
The main problem lies in his sensibility - or, to be more precise, the complete lack of it. While Singer worked hard to build a compelling visual world to explore complex themes about racism, identity and alienation, all Ratner really wants to do to make knob gags and blow stuff up.
Despite having been in the running to helm the first X-Men film, he displays no deep knowledge or love for the mythology, being too obsessed with spectacle and cheap humour to put in the hard yards which this kind of story needs.
As a result of both Singer's influence and Ratner's laziness, the film ends up being deeply conflicted. The first hour has some of the substance of old, especially in the opening flashback and some of scenes involving discussions of the cure.
But Ratner doesn't delve as deep as Singer did, introducing the concept and then leaving it as a mere McGuffin.
The dialogue is more aggressively macho than before, and talky scenes are more readily broken up with needless editing. And then there is the needlessly yandere-ish love scene between Jean and Logan, which feels like someone copy-pasted the sauna scene from Goldeneye into their fan fiction.
Building up their relationship is necessary for the pay-off, but this isn't an erotic thriller - you don't have to approach every conversation like it's a prelude to 12A rumpy-pumpy.
As things roll on towards the inevitably explosive conclusion, many of the interesting character arcs which are either introduced or carried over from X2 are left unfinished.
Grammar is a half-decent fit for Beast but is wasted in the role, and Rogue gets an especially tough break; while in X-Men she was arguably the central character, here all she does is go off, get the cure and then come back.
While in the previous two films the action felt like an interlude to or progression from the character development, here everything serves the need for everything to blow up at the end.
Aside from possessing a general contempt for the audience's intelligence, and a number of similar scenes the training simulations, the X-Jet's 'stealth mode' standing in for the invisible car , they also feature really dodgy CGI in the places that it's least needed.
It's not so bad when Logan is having his flesh ripped apart when Jean is in Dark Phoenix mode, but the sequence with the bridge is every bit as ropey as Pierce Brosnan windsurfing over the CGI wave.
Building up to the big battle at the end would be fine if it actually had scale, context and above all meaning. Where Jackson's battles went through given motions, ebbing and flowing to build character and generate tension, the final act of this film is uninvolving, bland and often ridiculous.
Vinnie Jones make the whole thing feel like a cut scene from Gone in 60 Seconds, and the actual ending involving Magneto at the chess board is both unashamed sequel bait and a huge anticlimax.
In spite of all its poor qualities, the cast of X-Men: The Last Stand do just enough to make the experience tolerable.
Famke Janssen is the stand-out, having a commanding screen presence which manages to pierce through the effects and hold our attention; in the scene in the woods, she even upstages Sir Ian McKellen.
McKellen and Patrick Stewart are both fine, though both have settled into 'established actor cameo' mode by the end, and Hugh Jackman continues to make his case for being the definitive Wolverine.
Had Days of Future Past never happened, this would have been a bittersweet farewell for the cast, but you can't blame any of them for not trying in spite of the poor script.
While it makes for watchable viewing during the Jean Grey sequences, there's ultimately too little meat on the bones and too few thoughts between its ears to either satisfy committed fans or compete with its two predecessors.
It id the worst of the original X-Men films, but had Brett Ratner been involved from the very beginning, it could have been even worse.
Daniel M Super Reviewer. Mar 08, While the main players are all great and the action is arguably the best in the saga, X-Men: The Last Stand is too fast and too rushed to make any sort of emotional resonance despite some truly interesting ideas.
Matthew M Super Reviewer. Feb 23, Every franchise has a low point. For some it's a scene or maybe a full act of a film. Xavier, Charles' brother.
He calls out to her with Charles's voice. Startled, she replies, "Charles? Grey and Mrs. Grey , respectively. Chris Claremont and Stan Lee make cameo appearances.
Phat is portrayed by Via Saleuma and Richard Yee. Lee Ermey makes an appearance as a sergeant on Alcatraz Island. Lance Gibson appears as Spike.
Olivia Williams makes an uncredited appearance as Dr. Moira MacTaggert. X-Men: The Last Stand draws much of its plot and characters from the source comic books; however, while some of the X-Men characters and details remain similar, a number of comic book elements are altered for the adaptation.
Whereas in the film, the Phoenix is Jean Grey's evil "split personality", in the comics, the Phoenix is a fiery, Phoenix-like alien entity and force of nature that bonds with Jean.
Other characters are translated even more loosely. Many of the Brotherhood shown in the film, for instance, including Spike , Psylocke and Multiple Man, are not Brotherhood villains in the comics.
The mutant named Kid Omega resembles a character named Quill in the comics, rather than the hyper-intelligent comic book Kid.
Brotherhood member Callisto is depicted with superhuman speed and the ability to sense mutants' power levels. In the comics, Callisto is the leader of the Morlocks and has neither ability, instead, possessing acute senses.
In the comics, Juggernaut is Xavier's human step-brother who acquires power when he finds a mystical stone; in X-Men: The Last Stand , however, Juggernaut is a mutant, and there is no mention of a relationship with the professor.
Whereas he is usually gruff and violent in the comics, his line "Don't you know who I am? I'm the Juggernaut, bitch!
The novelization of the film, written by comic book writer Chris Claremont, was released on May 16, This wiki.
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Bei einem Kuss der beiden vollzieht sich jedoch eine Conan Exiles Verderbter Stein Wandlung in Jean, die in den Gedanken von Professor Xavier alle Alarmglocken läuten lässt. Im Jahr gibt es kaum noch Mutanten. So lernt Jean den gestaltwandelnden Vuk kennen, den Anführer einer Alienrasse, deren Planet von der Macht, die Jean in sich aufgenommen hat, zerstört wurde. Februar X-Men: Zukunft ist Vergangenheit. Sumela Kay B. Nur noch 13 auf Lager.Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs.
Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews.
Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. The human government develops a cure for mutations, and Jean Gray becomes a darker uncontrollable persona called the Phoenix who allies with Magneto, causing escalation into an all-out battle for the X-Men.
Director: Brett Ratner. Writers: Simon Kinberg , Zak Penn. Added to Watchlist. From metacritic. November's Top Streaming Picks.
Top 30 Highest Grossing Superhero Movies. Professor X vs. Brett Ratner Director. Zak Penn Writer. Simon Kinberg Writer.
Avi Arad Producer. Lauren Shuler Donner Producer. Ralph Winter Producer. Avi Arad Executive Producer. Kevin Feige Executive Producer. Stan Lee Executive Producer.
Philippe Rousselot Cinematographer. The 20 Best Superhero Movie Villains. July 7, Full Review…. June 22, Full Review….
June 7, Full Review…. May 27, Full Review…. June 28, Full Review…. June 5, Rating: 2. June 3, Rating: 2. November 2, Full Review….
View All Critic Reviews Aug 22, In my review of Return of the Jedi, I spoke about the baggage that comes with threequels and their tendency to be the runts of their respective litters.
That being said, the same person being in charge is not in itself a guarantee of quality, as Spider-Man 3 and Evil Dead 3 firmly demonstrate.
X-Men: The Last Stand has accrued a similar reputation in comic book circles in the 11 years since its release. Whenever this offering is mentioned, fans of the first two films tend to either start foaming at the mouth, disgusted by some deep betrayal, or sigh dejectedly and make some resigned comment about Hollywood.
One could be forgiven, as a casual fan of X-Men, for assuming that this is the s' equivalent of Batman and Robin.
Rest assured, it's isn't - but it is very much the Batman Forever of the series, representing a huge climbdown from the heft and skill of old.
A lot has been made about Bryan Singer's sudden departure from the series, with debate raging over how much of the resulting disappointment is his fault.
Singer left the project in July to helm Superman Returns, at a time when only a partial treatment of the story existed. Singer had intended to focus the third film around Jean Grey's arc leading on from X2, culminating in Jean committing suicide but her spirit surviving as something akin to the Star Child from A Space Odyssey.
Over the ensurng six months, the project was offered to numerous directors who turned it down, including Joss Whedon who was busy on his Wonder Woman project and Alex Proyas, who refused on account of the bad experience he had endured on I, Robot.
Matthew Vaughn, who had then just finished Layer Cake, signed on to direct in February , but even with the release date being pushed back Vaughn felt he did not have the time he needed to make the film he wanted.
Having had some say in the casting - including Kelsey Grammer and Vinnie Jones - he backed out before filming was set to begin in July, paving the way for Brett Ratner to come in.
Whether or not you think that Singer was right to jump ship Superman Returns being the indecisive stodge that it is , much of his influence remains in at least the first hour of this film, just as Tim Burton held some sway over Batman Forever.
His fingerprints are all over the Jean Grey storyline, fleshing out the character and turning her into something truly dangerous. Her arc is very reminsicent of Amy Irving's character in The Fury itself heavily X-Men-inflected , being as she is a young woman struggling to channel and contain enormously destructive powers that to a large extent she doesn't want.
There's even a sequence where Jean disintegrates people with her power - although it's not as bloody as The Fury's rated version.
If all the good parts of X-Men: The Last Stand lie in whatever Singer managed to contribute before departing, all of the blame for the bad aspects can be laid firmly at Ratner's feet.
The main problem lies in his sensibility - or, to be more precise, the complete lack of it. While Singer worked hard to build a compelling visual world to explore complex themes about racism, identity and alienation, all Ratner really wants to do to make knob gags and blow stuff up.
Despite having been in the running to helm the first X-Men film, he displays no deep knowledge or love for the mythology, being too obsessed with spectacle and cheap humour to put in the hard yards which this kind of story needs.
As a result of both Singer's influence and Ratner's laziness, the film ends up being deeply conflicted. The first hour has some of the substance of old, especially in the opening flashback and some of scenes involving discussions of the cure.
But Ratner doesn't delve as deep as Singer did, introducing the concept and then leaving it as a mere McGuffin. The dialogue is more aggressively macho than before, and talky scenes are more readily broken up with needless editing.
And then there is the needlessly yandere-ish love scene between Jean and Logan, which feels like someone copy-pasted the sauna scene from Goldeneye into their fan fiction.
Building up their relationship is necessary for the pay-off, but this isn't an erotic thriller - you don't have to approach every conversation like it's a prelude to 12A rumpy-pumpy.
As things roll on towards the inevitably explosive conclusion, many of the interesting character arcs which are either introduced or carried over from X2 are left unfinished.
Grammar is a half-decent fit for Beast but is wasted in the role, and Rogue gets an especially tough break; while in X-Men she was arguably the central character, here all she does is go off, get the cure and then come back.
While in the previous two films the action felt like an interlude to or progression from the character development, here everything serves the need for everything to blow up at the end.
Aside from possessing a general contempt for the audience's intelligence, and a number of similar scenes the training simulations, the X-Jet's 'stealth mode' standing in for the invisible car , they also feature really dodgy CGI in the places that it's least needed.
It's not so bad when Logan is having his flesh ripped apart when Jean is in Dark Phoenix mode, but the sequence with the bridge is every bit as ropey as Pierce Brosnan windsurfing over the CGI wave.
Building up to the big battle at the end would be fine if it actually had scale, context and above all meaning. Where Jackson's battles went through given motions, ebbing and flowing to build character and generate tension, the final act of this film is uninvolving, bland and often ridiculous.
Vinnie Jones make the whole thing feel like a cut scene from Gone in 60 Seconds, and the actual ending involving Magneto at the chess board is both unashamed sequel bait and a huge anticlimax.
In spite of all its poor qualities, the cast of X-Men: The Last Stand do just enough to make the experience tolerable. Famke Janssen is the stand-out, having a commanding screen presence which manages to pierce through the effects and hold our attention; in the scene in the woods, she even upstages Sir Ian McKellen.
McKellen and Patrick Stewart are both fine, though both have settled into 'established actor cameo' mode by the end, and Hugh Jackman continues to make his case for being the definitive Wolverine.
Had Days of Future Past never happened, this would have been a bittersweet farewell for the cast, but you can't blame any of them for not trying in spite of the poor script.
While it makes for watchable viewing during the Jean Grey sequences, there's ultimately too little meat on the bones and too few thoughts between its ears to either satisfy committed fans or compete with its two predecessors.
It id the worst of the original X-Men films, but had Brett Ratner been involved from the very beginning, it could have been even worse. Daniel M Super Reviewer.
Mar 08, While the main players are all great and the action is arguably the best in the saga, X-Men: The Last Stand is too fast and too rushed to make any sort of emotional resonance despite some truly interesting ideas.
Matthew M Super Reviewer. Feb 23, Every franchise has a low point. For some it's a scene or maybe a full act of a film.
After two acclaimed outings to kick off the new age of the superhero genre, The Last Stand is just about as goofy and messy as you can get. It nearly killed the franchise.
The reason comic fans are still yearning for a Dark Phoenix adaptation is because this film did a poor job of giving fans anything that closely resembles the classic storyline.
In fact, what makes it even worse is it's hardly an adaptation at all. The first chunk of the movie certainly seems to indicate a Dark Phoenix direction, but once she has a big showdown with Charles Xavier in her childhood home, it becomes a movie way more about the cure than Jean Grey.
It also doesn't help that Jean Grey's phoenix alter ego resembles another absolutely insane Famke Janssen villain, Xenia Onatopp.
Yes, she also turns to an intimate make out position in an attempt to kill a few of her victims. A pharmaceutical company announces that it has developed an inoculation to suppress the X-gene that gives mutants their powers and makes them different from humans, offering the cure to any mutant who wants it.
While some mutants are interested in the cure, including the X-Men's Rogue , many others are horrified by the announcement.
In response to the news, the X-Men's adversary Magneto raises an army, warning his followers that the cure will be forcefully used to eradicate all mutant powers.
Cyclops , haunted by the memory of the dead Jean Grey, returns to the place where Jean had sacrificed herself to save the X-Men. Jean appears to Cyclops, and as the two kiss, Jean changes and appears to kill Cyclops.
When they arrive, the two X-Men encounter telekinetically floating rocks, Cyclops' glasses, and an unconscious Jean.
Xavier explains that when Jean sacrificed herself, she unleashed the powerful alternate personality she calls " Phoenix ".
Wolverine is disgusted to learn that Xavier has kept Jean in check telepathically, but when Jean awakens, he realizes she is not the Jean Grey he knew.
Jean pleads with Wolverine to kill her, but when he refuses, the Phoenix surfaces and telekinetically slams Wolverine into a wall.
She then escapes to her childhood home. Magneto, also aware that Jean is now a powerful mutant, meets Xavier at Jean's house. The two men vie for Jean's loyalty until the Phoenix resurfaces, unleashing her power.
She destroys her family's house, disintegrates Xavier, and leaves with Magneto. Following the loss of Xavier, the X-Men regroup and confront Magneto's army, which is attacking the pharmaceutical company.
During the fight, Beast injects Magneto with the cure, nullifying his mutant powers. After the battle, the Phoenix emerges and begins to destroy everything around her.
Momentarily gaining control, Jean begs Wolverine to save her. Telling Jean he loves her, Wolverine reluctantly kills her with his claws.
Despite the X-Men's losses, life goes on. Magneto, now an ordinary man, sits at a chessboard and reaches out toward a metal chess piece that trembles slightly, hinting that the cure may not be as permanent as thought.
Following the end credits, Dr. Moira MacTaggert checks on a comatose patient, P. Xavier, Charles' brother. He calls out to her with Charles's voice.
Startled, she replies, "Charles?
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X - Men The Last Stand Action Movie Full [1080]
Alle Rezensionen anzeigen. Seite 1 von 1 Zum Anfang Seite 1 von 1. Eine alte Weinert von Charles, Dr. Jennifer Lawrence Rebecca Romijn B. Kea Wong B. Avi Arad Producer. Post Magazine. Famke Janssen Jean Grey, Phoenix. UGO Networks. I'm the Juggernaut, bitch! Hulk The Incredible Hulk And there is: Stories Deutsch enough to pull a Star Trek and spawn a Next Generation saga. Roccos Modernes Leben Claremont and Stan Lee make cameo appearances.
Ich werde zu diesem Thema nicht sagen.
Wacker, dieser sehr gute Gedanke fällt gerade übrigens