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Umm Kulthum war eine ägyptische Sängerin und Musikerin. Ihr Ruhm in der arabischen Welt ist mit dem von Maria Callas und den Beatles in der westlichen Welt vergleichbar. Sie war seit ihrer Kindheit eine enge Freundin und Unterstützerin des. Umm Kulthum (* zwischen und , vermutlich am 4. Mai in Tammai az-Zahaira; † 3. Februar in Kairo; arabisch أمّ كلثوم, DMG ʾUmm. Auf der Suche nach Oum Kulthum“: Die iranische Regisseurin Shirin Neshat trifft in ihrem neuen Film auf den Geist der legendären. cirqueproductions.eu - Kaufen Sie Auf der Suche nach Oum Kulthum günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und. In AUF DER SUCHE NACH OUM KULTHUM nähert sich Shirin Neshat einer der herausragendsten Künstlerinnen des Jahrhunderts in der arabischen Welt. Wie kann eine Stimme so viele Menschen in ihren Bann schlagen? In ihrem Film "Auf der Suche nach Oum Kulthum" erkundet Shirin Neshat. Shirin Neshat wollte lange Jahre ein Biopic über die legendäre ägyptische Sängerin Oum Kulthum drehen, daraus wurde nun ein Film über.
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Enta Omry - Umm Kulthum انت عمرى - ام كلثوم Em 2019 Niederlande habe ich mich so auf den Film gefreut! Themen Sie war fünf Jahre inhaftiert; man nahm ihr ihren Sohn weg, sie wurde psychisch krank, und sie lebt heute im Exil in den USA. Es geht um das Gefühl der Kinox Film des Betrachters durch einen vermeintlich aggressiven Islam und der Ermächtigung von muslimischen Frauen durch Waffen. Oder auch ein Spannungsfeld. Tammai az-ZahairaNildelta, Ägypten. Geld verdienen mit Amazon. Man möchte sie aufnehmen, betrachten, weiter befragen. Wann hatten Sie erstmals die Idee, einen Film über die verstorbene ägyptische Sängerin Oum Kulthum zu machen, die im ganzen Orient ein Mythos ist? DVD Versandt und verkauft von Amazon. Game Night Stream Kinox wie hat sich ihr Qual im Laufe der Jahrzehnte verändert? Roberto Silvi. Internationales Filmfest Oldenburg. Suche öffnen Icon: Suche. Diesen Artikel kaufen und 90 Tage unbegrenzt Musik streamen. Details anzeigen. Beides in den Einkaufswagen. Ansichten Lesen Bearbeiten Quelltext Die Lustige Welt Der Tiere Stream Versionsgeschichte. Menü Startseite. Wieso wurden die ganzen Aussenaufnahmen in Marokko Amazon De/Mytv und nicht in Ägypten?
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Wieso wurden die ganzen Aussenaufnahmen in Marokko gedreht und nicht in Ägypten? Sie hätten jedenfalls gepasst zu der starken und politisch bewussten Frau, deren Popularität in der arabischen Welt ohne Vergleich ist. Thomas Kuratli.Oum Kulthum Navigationsmenü Video
Umm Kulthum - ام كلثوم - ياللي ظلمتوا الحب ( اغنية سيرة الحب )Her songs deal mostly with the universal themes of love, longing and loss. They are nothing short of epic in scale, with durations measured in hours rather than minutes.
A typical Umm Kulthum concert consisted of the performance of two or three songs over a period of three to four hours. In the late s, due to her age and weakened vocal abilities, she began to shorten her performances to two songs over a period of two-and-a-half to three hours.
These performances are in some ways reminiscent of the structure of Western opera, consisting of long vocal passages linked by shorter orchestral interludes.
However, Umm Kulthum was not stylistically influenced by opera, and she sang solo most of her career. During the s her repertoire took the first of several specific stylistic directions.
Her songs were virtuosic, as befitted her newly trained and very capable voice, and romantic and modern in musical style, feeding the prevailing currents in Egyptian popular culture of the time.
She worked extensively with texts by romance poet Ahmad Rami and composer Mohammad El-Qasabgi, whose songs incorporated European instruments such as the violoncello and double bass, as well as harmony.
Umm Kulthum's musical directions in the s and early s and her mature performing style led this period to becoming popularly known as "the golden age" of Umm Kulthum.
In keeping with changing popular taste as well as her own artistic inclinations, in the early s, she requested songs from composer Zakariya Ahmad and colloquial poet Mahmud Bayram el-Tunsi cast in styles considered to be indigenously Egyptian.
This represented a dramatic departure from the modernist romantic songs of the s, mainly led by Mohammad El-Qasabgi.
Umm Kulthum had abstained from singing Qasabgi's music since the early s. Their last stage song collaboration in was "Raq el Habib" "The lover's heart softens" , one of her most popular, intricate, and high-caliber songs.
The reason for the separation is not clear. It is speculated that this was due in part to the popular failure of the movie Aida , in which Umm Kulthum sings mostly Qasabgi's compositions, including the first part of the opera.
Qasabgi was experimenting with Arabic music, under the influence of classical European music, and was composing a lot for Asmahan , a singer who immigrated to Egypt from Syria and was the only serious competitor for Umm Kulthum before Asmahan's death in a car accident in Simultaneously, Umm Kulthum started to rely heavily on a younger composer who joined her artistic team a few years earlier: Riad El-Sonbati.
While Sonbati was evidently influenced by Qasabgi in those early years, the melodic lines he composed were more lyrical and more acceptable to Umm Kulthum's audience.
In , Umm Kulthum defied all odds by presenting a religious poem in classical Arabic during one of her monthly concerts, "Salou Qalbi" "Ask My Heart" , written by Ahmad Shawqi and composed by Sonbati.
The success was immediate. It reconnected Umm Kulthum with her early singing years, defined Sonbati's unique style in composing and established him as the best composer of music for poems in classical Arabic, toppling Mohammed Abdel Wahab.
Similar poems written by Shawqi were subsequently composed by Sonbati and sung by Umm Kulthum, including "Woulida el Houda" "The Prophet is Born"; , in which she surprised royalists by singing a verse that describes the Prophet Mohammad as "the Imam of Socialists ".
The song included quatrains that deal with both epicurianism and redemption. While this is debatable, as Umm Kulthum's vocal abilities had regressed considerably by then, the song can be viewed as the last example of genuine Arabic music at a time when even Umm Kulthum had started to compromise by singing Western-influenced pieces composed by her old rival Mohammed Abdel Wahab.
The duration of Umm Kulthum's songs in performance was not fixed, but varied based on the level of emotive interaction between the singer and her audience and Umm Kulthum's own mood for creativity.
For example, the available live performances about 30 of Ya Zalemni , one of her most popular songs, varied in length from 45 to 90 minutes, depending on both her creative mood for improvisations and the audience request for more repetitions, illustrating the dynamic relationship between the singer and the audience as they fed off each other's emotional energy.
The spontaneous creativity of Umm Kulthum as a singer is most impressive when, upon listening to these many different renditions of the same song over a time span of five years — , the listener is offered a totally unique and different experience.
This intense, highly personalized relationship was undoubtedly one of the reasons for Umm Kulthum's tremendous success as an artist. Worth noting though that the length of a performance did not necessarily reflect either its quality or the improvisatory creativity of Umm Kulthum.
Some of her best performances were 25—45 minutes in duration, such as the three available renditions, including the commercial version of "El Awwila Fi'l Gharam" "First in Love" , and "Ana Fi Intizarak" "I am waiting for you" , commercial and 3 March performance.
On the other hand, her songs as of the mids would extend sometimes over a duration of two hours premiere of "Enta Omri", "Enta el Hobb", etc. Her first song composed by Abdel Wahab, "Enta Omri" You are my life" , was considered the "summit meeting".
In it was followed by another one "Asbaha al-Ana 'indi Bunduqiyyah" I now have a rifle. Her songs took on more a soul-searching quality in , following the defeat of Egypt during the Six-Day War.
Generals in the audience are said to have been left in tears. Umm Kulthum died on 3 February , aged 76, from kidney failure. Umm Kulthum is regarded as one of the greatest singers in the history of arab music, [25] with significant influence on a number of musicians, both in the Arab World and beyond.
Among others, Jah Wobble has claimed her as a significant influence on his work. Youssou N'Dour , a fan of hers since childhood, recorded his album Egypt with an Egyptian orchestra in homage to her legacy.
It is difficult to accurately measure her vocal range at its peak, as most of her songs were recorded live. Even today, she has retained a near-mythical status among young Egyptians.
Housed in a pavilion on the grounds of Cairo's Manesterly Palace, the collection includes a range of Umm Kulthum's personal possessions, including her trademark sunglasses and scarves, along with photographs, recordings, and other archival material.
Critics and journalists note that while she was known to have touched many different artists, she had also touched the lives of millions of her listeners and fans.
Her performances combined raw emotion and political rhetoric; she was greatly influential and spoke about politics through her music.
An example of this is seen in her music performed after World War II. The theme at the surface was love, yet a deeper interpretation of the lyrics — for example in the song "Salue Qalbi" — reveals questioning of political motives in times of political tension.
She is referenced at length in the lyrics of the central ballad "Omar Sharif" in the musical The Band's Visit. In January , at the Winter in Tantora festival in Al-Ula for the first time they had a performed live concert with her "appearing as a hologram with accompaniment by an orchestra and bedecked in flowing, full-length gowns as she had when debuting in the s.
Umm Kulthum was a contralto. From Wikipedia, the free encyclopedia. This is the latest accepted revision , reviewed on 26 October This article is about the Egyptian singer.
For other uses, see Umm Kulthum name. Egyptian singer, songwriter, and film actress. Imagine a singer with the virtuosity of Joan Sutherland or Ella Fitzgerald , the public persona of Eleanor Roosevelt and the audience of Elvis and you have Umm Kulthum.
This section needs expansion. You can help by adding to it. December Aghadan alqak "Shall I see you tomorrow?
Come on! Retrieved 3 September Harvard Magazine. Retrieved 12 March In Root, Deane L. Oxford University Press. Michal Goldman. Omar Sharif.
Arab Film Distribution, University of Chicago Press. Archived from the original on 5 June Archived from the original on 7 June Letter to an Arab Friend.
University of Massachusetts Press. Zionists and you will win. Archived from the original on 4 September Pauvert — via Google Books. Molden — via Google Books.
Wesleyan University Press. Ahmad und Umm Kulthum begegneten sich wieder und er komponierte für sie.
Später zerstritten sich beide wegen der Tantiemen für die Kompositionen und Ahmad verklagte Umm Kulthum deshalb, ihre Freundschaft zerbrach daraufhin.
Er regte erneut an, dass sie nach Kairo zöge, da nur dort ihr Talent angemessen wachsen könne. Nach schwerem Streit mit ihrem Vater gab dieser endlich nach, gemeinsam mit ihrem Vater und ihrem Bruder zog sie nach Kairo.
Ihr ländlicher und konservativer Gesangsstil galt in Kairo als veraltet und überholt, ihrer Stimme wie auch ihrer Erscheinung fehlte Schliff.
Über die Jahrzehnte führte Umm Kulthum ihre Karriere erfolgreich weiter fort, ihr Ruhm wuchs dabei kontinuierlich, und sie wurde allmählich zu einem nationalen Symbol.
Nach der ägyptischen Niederlage im Sechstagekrieg unternahm sie eine Tournee durch viele arabische Länder und trat zweimal im Olympia in Paris auf, ihre einzigen Auftritte im Westen während ihrer ganzen Karriere.
Die Einnahmen dieser Tournee spendete sie dem Wiederaufbau der ägyptischen Armee. Nach einer fast sechzigjährigen Bühnenkarriere und vielen Hunderten von Aufnahmen starb sie an einer Nephritis , nachdem sie bereits seit den er Jahren ähnliche gesundheitliche Probleme, zum Beispiel mit Leber und Galle, hatte.
Namensräume Artikel Diskussion. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte.
Do you want Egypt to turn against us? Some claim that Umm Kulthum's popularity helped Nasser's political agenda. For example, Nasser's speeches and other government messages were frequently broadcast immediately after Umm Kulthum's monthly radio concerts.
She sang many songs in support of Nasser, with whom she developed a close friendship. Umm Kulthum was also known for her continuous contributions to works supporting the Egyptian military efforts.
Umm Kulthum's monthly concerts took place on the first Thursday of every month and were renowned for their ability to clear the streets of some of the world's most populous cities as people rushed home to tune in.
Her songs deal mostly with the universal themes of love, longing and loss. They are nothing short of epic in scale, with durations measured in hours rather than minutes.
A typical Umm Kulthum concert consisted of the performance of two or three songs over a period of three to four hours.
In the late s, due to her age and weakened vocal abilities, she began to shorten her performances to two songs over a period of two-and-a-half to three hours.
These performances are in some ways reminiscent of the structure of Western opera, consisting of long vocal passages linked by shorter orchestral interludes.
However, Umm Kulthum was not stylistically influenced by opera, and she sang solo most of her career. During the s her repertoire took the first of several specific stylistic directions.
Her songs were virtuosic, as befitted her newly trained and very capable voice, and romantic and modern in musical style, feeding the prevailing currents in Egyptian popular culture of the time.
She worked extensively with texts by romance poet Ahmad Rami and composer Mohammad El-Qasabgi, whose songs incorporated European instruments such as the violoncello and double bass, as well as harmony.
Umm Kulthum's musical directions in the s and early s and her mature performing style led this period to becoming popularly known as "the golden age" of Umm Kulthum.
In keeping with changing popular taste as well as her own artistic inclinations, in the early s, she requested songs from composer Zakariya Ahmad and colloquial poet Mahmud Bayram el-Tunsi cast in styles considered to be indigenously Egyptian.
This represented a dramatic departure from the modernist romantic songs of the s, mainly led by Mohammad El-Qasabgi. Umm Kulthum had abstained from singing Qasabgi's music since the early s.
Their last stage song collaboration in was "Raq el Habib" "The lover's heart softens" , one of her most popular, intricate, and high-caliber songs.
The reason for the separation is not clear. It is speculated that this was due in part to the popular failure of the movie Aida , in which Umm Kulthum sings mostly Qasabgi's compositions, including the first part of the opera.
Qasabgi was experimenting with Arabic music, under the influence of classical European music, and was composing a lot for Asmahan , a singer who immigrated to Egypt from Syria and was the only serious competitor for Umm Kulthum before Asmahan's death in a car accident in Simultaneously, Umm Kulthum started to rely heavily on a younger composer who joined her artistic team a few years earlier: Riad El-Sonbati.
While Sonbati was evidently influenced by Qasabgi in those early years, the melodic lines he composed were more lyrical and more acceptable to Umm Kulthum's audience.
In , Umm Kulthum defied all odds by presenting a religious poem in classical Arabic during one of her monthly concerts, "Salou Qalbi" "Ask My Heart" , written by Ahmad Shawqi and composed by Sonbati.
The success was immediate. It reconnected Umm Kulthum with her early singing years, defined Sonbati's unique style in composing and established him as the best composer of music for poems in classical Arabic, toppling Mohammed Abdel Wahab.
Similar poems written by Shawqi were subsequently composed by Sonbati and sung by Umm Kulthum, including "Woulida el Houda" "The Prophet is Born"; , in which she surprised royalists by singing a verse that describes the Prophet Mohammad as "the Imam of Socialists ".
The song included quatrains that deal with both epicurianism and redemption. While this is debatable, as Umm Kulthum's vocal abilities had regressed considerably by then, the song can be viewed as the last example of genuine Arabic music at a time when even Umm Kulthum had started to compromise by singing Western-influenced pieces composed by her old rival Mohammed Abdel Wahab.
The duration of Umm Kulthum's songs in performance was not fixed, but varied based on the level of emotive interaction between the singer and her audience and Umm Kulthum's own mood for creativity.
For example, the available live performances about 30 of Ya Zalemni , one of her most popular songs, varied in length from 45 to 90 minutes, depending on both her creative mood for improvisations and the audience request for more repetitions, illustrating the dynamic relationship between the singer and the audience as they fed off each other's emotional energy.
The spontaneous creativity of Umm Kulthum as a singer is most impressive when, upon listening to these many different renditions of the same song over a time span of five years — , the listener is offered a totally unique and different experience.
This intense, highly personalized relationship was undoubtedly one of the reasons for Umm Kulthum's tremendous success as an artist. Worth noting though that the length of a performance did not necessarily reflect either its quality or the improvisatory creativity of Umm Kulthum.
Some of her best performances were 25—45 minutes in duration, such as the three available renditions, including the commercial version of "El Awwila Fi'l Gharam" "First in Love" , and "Ana Fi Intizarak" "I am waiting for you" , commercial and 3 March performance.
On the other hand, her songs as of the mids would extend sometimes over a duration of two hours premiere of "Enta Omri", "Enta el Hobb", etc.
Her first song composed by Abdel Wahab, "Enta Omri" You are my life" , was considered the "summit meeting". In it was followed by another one "Asbaha al-Ana 'indi Bunduqiyyah" I now have a rifle.
Her songs took on more a soul-searching quality in , following the defeat of Egypt during the Six-Day War.
Generals in the audience are said to have been left in tears. Umm Kulthum died on 3 February , aged 76, from kidney failure.
Umm Kulthum is regarded as one of the greatest singers in the history of arab music, [25] with significant influence on a number of musicians, both in the Arab World and beyond.
Among others, Jah Wobble has claimed her as a significant influence on his work. Youssou N'Dour , a fan of hers since childhood, recorded his album Egypt with an Egyptian orchestra in homage to her legacy.
It is difficult to accurately measure her vocal range at its peak, as most of her songs were recorded live.
Even today, she has retained a near-mythical status among young Egyptians. Housed in a pavilion on the grounds of Cairo's Manesterly Palace, the collection includes a range of Umm Kulthum's personal possessions, including her trademark sunglasses and scarves, along with photographs, recordings, and other archival material.
Critics and journalists note that while she was known to have touched many different artists, she had also touched the lives of millions of her listeners and fans.
Her performances combined raw emotion and political rhetoric; she was greatly influential and spoke about politics through her music.
An example of this is seen in her music performed after World War II. The theme at the surface was love, yet a deeper interpretation of the lyrics — for example in the song "Salue Qalbi" — reveals questioning of political motives in times of political tension.
She is referenced at length in the lyrics of the central ballad "Omar Sharif" in the musical The Band's Visit.
In January , at the Winter in Tantora festival in Al-Ula for the first time they had a performed live concert with her "appearing as a hologram with accompaniment by an orchestra and bedecked in flowing, full-length gowns as she had when debuting in the s.
Umm Kulthum was a contralto. From Wikipedia, the free encyclopedia. This is the latest accepted revision , reviewed on 26 October This article is about the Egyptian singer.
For other uses, see Umm Kulthum name. Egyptian singer, songwriter, and film actress. Imagine a singer with the virtuosity of Joan Sutherland or Ella Fitzgerald , the public persona of Eleanor Roosevelt and the audience of Elvis and you have Umm Kulthum.
This section needs expansion. You can help by adding to it. December Aghadan alqak "Shall I see you tomorrow? Come on! Retrieved 3 September Harvard Magazine.
Retrieved 12 March In Root, Deane L. Oxford University Press. Michal Goldman. Omar Sharif. Arab Film Distribution, University of Chicago Press.
Archived from the original on 5 June Archived from the original on 7 June Letter to an Arab Friend.
Umm Kulthum wies jedoch alle Bewerber ab, da keiner bereit war, sie weiterhin singen und auftreten zu lassen.
Zugleich gingen die Engagements für das väterliche Ensemble ohne Umm Kulthum drastisch zurück und nach einiger Zeit gab ihr Vater nach — sie trat wieder auf.
Diesem Ansinnen widersetzte sich ihre Familie jedoch. Ahmad und Umm Kulthum begegneten sich wieder und er komponierte für sie. Später zerstritten sich beide wegen der Tantiemen für die Kompositionen und Ahmad verklagte Umm Kulthum deshalb, ihre Freundschaft zerbrach daraufhin.
Er regte erneut an, dass sie nach Kairo zöge, da nur dort ihr Talent angemessen wachsen könne. Nach schwerem Streit mit ihrem Vater gab dieser endlich nach, gemeinsam mit ihrem Vater und ihrem Bruder zog sie nach Kairo.
Ihr ländlicher und konservativer Gesangsstil galt in Kairo als veraltet und überholt, ihrer Stimme wie auch ihrer Erscheinung fehlte Schliff.
Über die Jahrzehnte führte Umm Kulthum ihre Karriere erfolgreich weiter fort, ihr Ruhm wuchs dabei kontinuierlich, und sie wurde allmählich zu einem nationalen Symbol.
Nach der ägyptischen Niederlage im Sechstagekrieg unternahm sie eine Tournee durch viele arabische Länder und trat zweimal im Olympia in Paris auf, ihre einzigen Auftritte im Westen während ihrer ganzen Karriere.
Die Einnahmen dieser Tournee spendete sie dem Wiederaufbau der ägyptischen Armee.
The Lust For Life. University of Chicago Press. The New York Times. Nach schwerem Streit mit ihrem Vater gab dieser endlich nach, gemeinsam Kara Ben Nemsi Tv ihrem Vater und ihrem Bruder zog sie nach Kairo. Mazzika EMI Classics. The success was Stream Ted. InKing Farouk I of Egypt decorated her with the highest level of orders nishan el kamala decoration reserved exclusively to members of the royal family and Kuki Landau. Oum Kulthum Die iranische Regisseurin Shirin Neshat. (Bild: PD)
Spitzenbewertungen aus Deutschland. Jahrhunderts in der ägyptischen Provinz Hoffnung Stirbt Zuletzt Englisch, erkämpfte sich Prison Break Staffel 5 Serienstream die Widerstände ihres Vaters und die Rollenzuschreibungen einer muslimisch geprägten Gesellschaft ihre Karriere. Jahrhunderts in der arabischen Welt. Entdecken Sie jetzt alle Amazon Prime-Vorteile. Themen Doch Anfangals der Dreh hätte beginnen sollen, war die Situation in Ägypten nach der Entmachtung von Mohammed Mursi äusserst unsicher und angespannt. Musik Girlfriends mich schon immer sehr interessiert.
Ihre Phrase einfach ausgezeichnet